Wavelength michael snow s

Exploded View | Michael Snow’s Wavelength. By Chuck Stephens In Columns, CS60, From The Magazine. By Chuck Stephens. “The film is a continuous zoom which takes 45 minutes to go from its widest field to its smallest and final field. It was shot with a fixed camera from one end of an foot loft, shooting the other end, a row of windows and. Wavelength examines many of Snow’s major themes—the nature of vision, the material world as experienced through senses, and the vision-sound relationship. However, unlike in So Is This, in Wavelength Michael Snow does not delve into linguistics, semantics, or word puns. Michael Snow's Wavelength and the Space of Dwelling. In , Michael Snow presented Wavelength, his fifth film, for the first time. Jonas Mekas has recalled this initial screening of the the first completed lab print, for a private gathering of Snow's friends in New York City, saying, "I had no doubt we had just witnessed a landmark.

Wavelength michael snow s

Michael Snow's Wavelength and the Space of Dwelling. In , Michael Snow presented Wavelength, his fifth film, for the first time. Jonas Mekas has recalled this initial screening of the the first completed lab print, for a private gathering of Snow's friends in New York City, saying, "I had no doubt we had just witnessed a landmark. Exploded View | Michael Snow’s Wavelength. By Chuck Stephens In Columns, CS60, From The Magazine. By Chuck Stephens. “The film is a continuous zoom which takes 45 minutes to go from its widest field to its smallest and final field. It was shot with a fixed camera from one end of an foot loft, shooting the other end, a row of windows and. Wavelength examines many of Snow’s major themes—the nature of vision, the material world as experienced through senses, and the vision-sound relationship. However, unlike in So Is This, in Wavelength Michael Snow does not delve into linguistics, semantics, or word puns.

see the video Wavelength michael snow s

Wavelength (1967) Experimental Film, time: 42:57
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